The platform
This works today in Sopot
7 parts of the system run in production at the track, laid out below along a single lap (track record: 25.260 seconds). 3 more are in testing. We don’t mix those in with what works.
T−0
Five lights out together. The start procedure is under control and in sync with timing, not down to somebody waving a flag.
At the trackStart lights
See how it worksA start run by the controller: five lights, your own messages and your own sequences. Every event format starts in its own way.
For the track
Starts look like the real thing, not somebody waving an arm.
For the driver
A start you can feel. And it’s in the footage.
Where it stands
Running at the Sopot track: the start procedure is driven by the controller and synchronised with the timing.
T+0.000 → T+25.260
From the first metre to the last, every second of the run recorded from seven angles. Nobody has to switch anything on.
At the trackTrack cameras
See how it worksSeven cameras run non-stop. Every session lands on disk in one-minute segments.
For the track
Footage from every session with nobody operating it. Nothing to switch on, nothing to watch over. How many cameras go up is the track’s call: the system sets no limit.
For the driver
Their run is filmed from angles they’ll never see from the seat.
Where it stands
Running at the Sopot track: seven cameras, around 293 GB of footage a day. Seven is what that track needs, not the system’s ceiling.
T+0.000 → T+25.260
The same lap from behind the wheel. The camera rides with the driver and goes out live, then lands in the edit alongside the trackside angles.
At the trackOnboard cameras
See how it worksThe camera rides with the driver. The feed from the kart goes out live, and after the session it’s cut into the film alongside the trackside angles.
For the track
The angle you can’t get from the barrier. It’s also the product drivers ask for on their own. How many karts you fit out is your call.
For the driver
They see what they saw from behind the wheel, cut together with the trackside angles.
Where it stands
Running at the Sopot track: the feed from the kart goes out live, and once the driver comes in, the onboard footage is cut into the automatic edit alongside the trackside cameras.
in parallel · <1 s
The moment it happens, the run is on the reception screens and on the operator’s preview.
At the trackLive streaming
A live view on the track’s own network: the reception wall and a mosaic for the operator. Streaming beyond the venue is on the roadmap.
For the track
The reception wall that stops people mid-wait and shows the track off properly.
For the driver
Friends and family watch the run live instead of sitting it out in the car park.
Where it stands
Runs on the track’s local network (WebRTC, latency under a second). Public streaming still needs a domain and a certificate.
T+25.260
The line. Time, position and the gap to the previous lap are on the board before you’re through turn one.
At the trackLive timing
Lap times, positions and records in real time. Every day’s results archived, plus an animated race replay.
For the track
Results on screen and the day’s archive. No printouts, nobody asking at the desk.
For the driver
They see their time, position and record the moment they come off track.
Where it stands
Running in production: lap times, records for the day, the week and the month, plus the race replay.
during the race
A pit countdown or a total stop time: pick one per race format, feeding straight into the results.
At the trackPit stop control
See how it worksA pit countdown or a total stop time: pick one per race format. The result goes straight into the standings.
For the track
Team races with real strategy become possible. Between races the panels can double as trackside info screens, if the layout allows it.
For the driver
A race where the stop counts as much as the pace.
Where it stands
Running at the track: the pit countdown runs off timing and feeds straight into the race results.
after the session
The helmet’s still warm and the film of the run is already waiting in the portal.
At the trackDriver portal
After the session the driver finds their own shots, views them with a watermark and orders the finished film.
For the track
New revenue from footage that’s being recorded anyway.
For the driver
They leave the track with a film worth showing around.
Where it stands
Search, preview and ordering work. Payments aren’t live yet and there are no driver accounts yet: identity is a session plus a kart number.
Outside production
3 things in testing
Localization, speed measurement and the steering wheel displays are in testing. The hardware measures; we’re checking it before it goes into production. For each one we say what it’s waiting on. No dates, because we couldn’t keep them.
- In testing01
Kart localization
Every kart’s position on the track map in real time, from our own tracking modules.
The tracking modules are in testing: they measure, and we’re checking them before they go into production. They ship when the tests confirm they hold up in track conditions. No date until we’ve seen that.
See how it works - In testing02
Speed measurement
Real-time speed and top speed, worked out from onboard telemetry.
Onboard telemetry is being collected and tested alongside localization. Those two go into production together or not at all.
See how it works
The order they reach the track in, and what follows them, is on the roadmap.
Race Control
System status, no spin
We’ll say when testing turns into production. Not a day sooner. On track the time that counts comes off the timing beam, not out of a sales deck.
- 001Track camerasAt the track
- 002Onboard camerasAt the track
- 003Live streamingAt the track
- 004Live timingAt the track
- 005Driver portalAt the track
- 006Kart localization— modules measuring, testing under wayIn testing
- 007Steering wheel displays— hardware on the benchIn testing
- 008Speed measurement— in testing alongside localizationIn testing
- 009Start lightsAt the track
- 010Pit stop controlAt the track
- —RaceBoard ID— not built yetNext up
Track footage
Everything above describes the same system that shot this.
See it on a real session
The quickest way to judge it is a working track, not a feature list.